At
the end of the eighteenth century, an Italian rake by the name of Giacomo
Casanova wrote his book Histoire de ma
Vie. I have no idea why he wrote it in French if he was Italian, but
apparently this is so.
Incarcerated
for five years in a Venetian gaol on a charge of “foul atheism” and
fornication, Casanova spends his time either dwelling upon his memories of past
seductions or reminiscing about the same with a cell-mate. Eventually he
escapes.
The
English playwright Dennis Potter wrote a television drama series based on this
story. Entitled Casanova, the BBC ran
it in the November and December of 1971 with Frank Finlay in the title role.
I
was fourteen years old at the time and my mother was forty-four. We are talking
about the days when there were three channels on the telly, if you turned it on
during the day you got the test card, and the night’s viewing ended by midnight
with the National Anthem and then the moving pictures closed down into a white
dot vanishing into blackness. The End.
My
father was almost never there, but I remember he did come home for a brief
interval from his global ramblings during the broadcasting of Dennis Potter’s Casanova series. I found this intensely
frustrating. I was not close to my father in any respect. He was a nervous man,
full of tics and twitches, and more likely than my mother to judge what was
basically a well-written bodice-ripper unsuitable. Even if he had not, I’d have
found it profoundly embarrassing to watch it with him in the room. Back in
those days I was very close to my mother, and we had been enjoying watching the
series together. The subject matter was not our usual choice of viewing, but
Dennis Potter’s work is of the highest quality – ground-breaking, and
unmissable given the lack of alternatives at the time.
Each
episode opened with the chosen musical theme, played by a chamber orchestra in
the appropriate eighteenth century costume.
The
music in question was not widely played. Though we'd had a conscientious
introduction to classical music at my junior school, I had never heard it
before and my mother hadn’t either. Indeed until this point I think it would be
fair to say it had escaped the attention of the (modern) general public. But it
was captivating, haunting, lyrical, beautiful. Even though an LP (Long Play
vinyl disc) cost ten shillings back then, we just had to have it. So it came
about that my mother and I went 50-5o on the purchase from the music shop in
Bishops Stortford of a recording of Vivaldi’s Four Seasons. The movement called Autumn was the theme for Dennis Potter’s Casanova.
I
think the BBC’s airing of that theme tune was like the casual and naïve act of
a man who plants one small Japanese knotweed in his garden because it is so
beautiful. Little does he know what it will lead to.
Now,
I am fifty-eight and my mother is eighty-eight.
I have just come off the phone having made a call to the Department of
Work and Pensions, whom I had to inform of her recent hospital stay. As is the
case with many large organisations, it took the most interminable time for
anybody to answer the call. As I waited, piped through to my patient ear, in
between the robotic voice announcements about call volumes etc etc, came the by
now all too familiar strains of Autumn
from Vivaldi’s Four Seasons. It’s the
music of choice for almost every answering service in the UK. And I think
Dennis Potter’s responsible for that.