Wednesday, 26 August 2015

Book covers

Today I had the covers through for the next two books out in The Hawk and the Dove series new edition.



 The Breath of Peace has been previously self-published, so you might have read it, but The Beautiful Thread is completely new.



They will both be out in February 2016. After that there will be one more, A Day and a Life, completing the series.

A Day and a Life is still going through the publishing meetings to ascertain if it will be accepted for publication, but the signs are good so far. If all goes well it will be out in the summer of 2016.


Meanwhile this book, 52 Original Wisdom Stories, is available in the US too, now (here). I’m pleased with it – I think you would enjoy it. It has life, the universe and everything in it, and explores the cosmic round of things; is full of wondering.


Tuesday, 25 August 2015

Creating, redeeming, sustaining; God and permaculture.

I’ve been watching a YouTube video about the effectiveness of permacultural techniques for greening the desert. Excellent. Inspiring. Hope, in a situation of increasing aridity and despair.

I felt intrigued by the resistance to the approach. Towards the end of the film, they mentioned that in a year of drought (2008? 2009?) in that region, all the olives – all the olives – in the area failed entirely, except those in the permaculture village. So, not only is their planting healthy and productive, it is thriving in the context of a small farm (I think they said ten acres) plonked right in the middle of a dustbowl where nothing else is working. So – why isn’t the idea spreading like wildfire? Why isn’t the whole of humanity adopting permaculture practices? It’s easy, practical, inexpensive.

It’s as though we are blinded even to common sense by ideas and traditions we’ve been sold or handed down, such that even when the evidence is right under our noses, we plod doggedly on making destructive and unsustainable choices.

And we thought, Hebe and me when we were talking about this a few days ago and again today, maybe this is part of what the Bible means when it says, ‘Be ye not conformed to this world, but be transformed by the renewing of your mind.’ In church that’s always expounded in strictly religious terms; but what if it’s not about religion – what if it’s about life? What if the revolution of the Holy Spirit is for the practical, ordinary, business and domestic choices we make in the everyday? What if the outworking of the Spirit in our lives is less about robes and altars or rites and ceremonies or hierarchies and dogma, or what books children are allowed to read on Sunday – more about greening the desert and understanding how to keep ourselves and the planet healthy?


So that opening to the shalom of God occurs everywhere we allow insight and understanding to flood into our lives like light, changing our perspective and practice to something that creates, redeems and sustains life.

Not, I mean, that we abandon the sacred for the secular; but that our faith becomes practical and the ordinary business of our lives becomes holy.

Monday, 24 August 2015

History

One day when it’s looking all tidy and beautiful, I will show you the work our Hebe did on her room.

When we came to this house, her room had 1970s floral wallpaper, dark russet nylon carpet tiles, a sink set in a fitted pine vanity unit coated thickly with that de rigeur orange 1970s varnish, a humungous fitted wardrobe made of melamine with fancy gilt handles and containing a huge hot water cylinder; and plenty of damp stains in the corners.

That was nearly six years ago. We’ve done a lot of work on the house since then.

When we first moved in, we tossed out the ghastly floor tiles and re-carpeted, and Hebe painted the walls. At the time we put the solar panels and solar tubes on the roof, Hebe had to accommodate an even larger hot water cylinder – so big that one of the awful melamine doors had to come off her wardrobe and be replaced by a blanket hung on a net curtain stretcher, even with some of the cylinder insulation shaved off.

So. Time went on.

One of the things we did was create a boiler room up in our attic. We laid a floor, and there re-located the boiler and hot water cylinder to join the inverter for the solar tubes that heat our water. So now it’s all easily accessible for servicing and not occupying rooms in the main house. The boiler with its penetrating blue lights used to be in Alice and Hebe’s art studio. Not any more.

Then we fixed the problems with the roof, left us as a legacy by the first men who fixed the roof, and finally stopped the ingress of damp, from the initial buckets-in-the-attic and the later slow seepage, to zero water. Glad of that. It’s raining.

When these changes happened Hebe, now water-cylinder-less, took the opportunity to have the wardrobe and plumbed-in vanity unit removed. She tore up the carpet – now a few years old and well-trodden. She had the room re-plastered so all the dodgy bits resulting from age and long damp were sorted. Into the gaps between the old Victorian floorboards she hammered wood slivers to give a gapless floor. Then she had a man with a machine sand it for her. She chose a beautiful white stain through which you can still see the wood grain, and a white wax finish. The floor man didn’t do a brilliant job, but okay. She wished she’d done it herself, but at least this is one more bit of evidence that one need never be daunted by the hallowed territory of Professionals.

She replaced the original eBay curtains, now rotted by sunlight and torn by agile cats, with white linen lined curtains over finest white linen nets, through which sunlight filters like fairyland.

A floor sleeper, she got huge and beautiful beanbags for herself and visiting family members to relax on, and the Badger built her a low-level unit out of old sanded gravel boards, to store her clothes. She got a set of ladder shelves for her books.

The whole room is now airy, peaceful, calm, pale, light-filled, elegant and Zen.

Egged on by her example, I have begun the much needed work on my own little room. The carpet that was new when we came was now stained, grubby and trodden. And I prefer floorboards because I hate vacuum cleaners with a passion. The old over-painted wallpaper and the polystyrene coving (Yes. Why?) need to come off, but I don’t feel up to that yet. So I just started with the floor.

The Badger took up the carpet for me and the underlay and hardboard and gripper rods, and took it all to the tip. I pulled up staples until my hands were all blistered, then Hebe and Fi pulled out the rest (ie most of them). Then I scrubbed the floor with sugar soap and bleach to get out all the dirt accumulated there since 1910.



The Badger is going to sand it for me too, and then I’ll rub wood balsam into it, and buff it, to get a rich protected well-fed finish.

But all that was just me getting round to what I really wanted to tell you – well, show you really.

While we were doing all this I found two things.

Digging out the impacted dirt of aeons from between the floorboards, I excavated this old rusty hairpin.



This room of mine was most likely a maid’s room for the original Victorian family. I wonder who she was – pinning up her hair early in the morning by the light of the rising sun through the window, dropping a hairpin that fell down between the floor boards to be lost for a hundred years.

She had another mishap.

The floor had a dark stain I originally took for the remains of dark varnish inadequately sanded off.



Then I realized as I looked at it carefully, having scrubbed the surface dirt away, this floor had never been varnished or stained – the boards were in their original condition (apart from all the dirt). The stain was where the hairpin owner had another accident. She knocked over an oil lamp. The dark patch is where the oil caught fire and nearly set the house alight. You can see, if you look at it, how it splashed and puddled and ran – all alight.



Someone put that out mighty quick – or maybe it fell onto a rug and set it alight, so the patches are where it burned through.

When the Badger sands the floor for me, I’ll ask him to sand round that patch. That’s precious. Along with the hairpin, it’s part of my room’s history, silently waiting there in its bones, undiscovered until now.



Saturday, 22 August 2015

Humilis

Everything in my room is low down, because I have a sort of floor life – I sit on the floor and I sleep on the floor. So tall furniture, and pictures or shelves set high on the wall feel remote and lonely, and rather intimidating.

Because of my odd vascular/collagen set-up, I find sitting on chairs terribly uncomfortable. It takes my body several days to recover if I have prolonged stint at it – for example, travelling on the train (seated, upright) to a meeting or conference where I am seated, upright, then the same travelling back home. If I can put my feet up I’m okay; and sitting in an armchair big enough to curl my legs up under me is fine – the same set-up means my body is very easily folded up.

So, my Badger made me a brilliant floor-desk, out of old gravel-boards (for fences) and scraps of wood. It is the perfect height for me to work at.



Now the Badger, by contrast, finds curling up and folding up almost impossible, likewise sitting on the floor (though he’s fine sleeping on the floor).

Handily, the floor desk also works perfectly well as a seat. The Badger’s reading nook is in the room above me, and his study-bedroom next to that, up in his garret.

So when he comes charging down this little staircase . . .




. . . because he wants to have a chat about something, the floor desk can magically transform into a seat for him to sit on. Neat, eh?



And at night it makes an excellent bedside table.




Thursday, 20 August 2015

Little lamb, who made thee?

In the photos of yesterday’s post, there’s something beautiful you can’t see. I had to wait until night to show you properly.

Our Alice is a stained glass artist, and up above the door, in a deeply recessed internal window, she has set this panel she made.  This is what it look like from inside my room.





In her mind, as she was making it, was John Taverner’s setting of William Blake’s poem about the lamb, from his Songs of innocence and Experience.


When the light’s on inside the room, and the hallway is in darkness, this is what it looks like from outside.